Saturday, February 23, 2019
Creon and Koro in the play Antigone by Sophocles Essay
Through pop out history, the tragic hero has virtually non transportd at all. The walkover, Antigone, create verbally by the Greek playwright Sophocles and the book track down passenger, written by Witi Ihimaera, has extremely comparable characters. Regardless of being written thousands of years apart, both story lines be very similar in relation to the tragic heroes. Antigone is the story of a woman who is toilsome to screen her brothers body, despite the king, Creons, ruling against. The play consecrates of Antigone and Creons press against each other leading to Antigones eventual death. Whale Rider portrays the story of a young Maori girl who is trying to become the drawing card of her tribe. The young girl, Paikea (Pai), is persistently blocked by Koro. Creon and Koro, the two tragic heroes are comparable in their lack of equality towards wo custody, their similar tragic deface of too more hubris and their elitist views directed toward people around them. Creon and K oro both handle a lack of respect towards woman. Creon continually evidences his contempt towards women in Antigone.When Creon is talk of the town to his son, Haimon, regarding Antigones death, he condemns him by saying that, Your pleasure with her would soon get cold, Haimon, and then youd eat up a hellcat in cut and elsewhere (716). Creon believes that beca use up Antigone is a woman, she can be easily replaced. Creon makes it known that he does non think Antigone is important at all and neglects to acknowledge that Haimon dexterity swallow any affection or love for Antigone, which is why he thinks that he can always replace her. Koro too has the identical sexist reaction towards women such as Pai right from when she was born. Koro refuses to even hold Pai because she is a girl, and because she is a girl she cannot become a leader. Throughout the film, Koro has hatred that is clear directed towards Pai. Koro thinks that because Pai is a girl, she is not strong enough to be a leader, or to do anything practical. When Koro tests the mannish students at his school and none of the boys adopt in finding the whale tooth and Pai does, Koro chooses to overlook the fact that the gods choose Pai as the next Maori leader. Koro clearly has a harsh sexist post that trunk until Pai almost drowns, when she is actually trying to save the whales to show Koro she is the leader and is strong.Although Koro and Creon exhibit these anti-female outlooks from the start their stories, the conclusions of each are different. While Creons sexist attitude remains until the end of the story, Koro changes in the end of Whale Rider. Koro identifies where he was incorrectand corrects himself, while Creon thinks of himself as higher than women until the end of the story and does not change his sexist attitude. Creon and Koro both have hubris and have way too much pride for their own good. In Antigone, Creon is going to be Antigones nonplus in law because of Antigone and Haimo ns love for each other, but heedless of their family relation, Creon shows no compassion or sympathy. When Creon realizes that the individual who buried Polyneices is Antigone, he condemns her to death. Creon commands Antigones death despite the fact that he does not want to because of their coating relationship, all because of his pride. If Creon were to release Antigone it would make him look weak and Creon could not have that reputation. This displays how Creon would rather his title be strong than the existence of a family member. When the Choragos attempts to tell Creon to free Antigone, he admits that it is difficult to overcome his pride. Creon tells him that it is hard to give in But it is worse to risk everything for stubborn pride (731).Creon thinks what he has been doing passim the story is right and he does not see his mistakes, which lead to his turn away at the end of the story. Koro is closely related to Creon in the sense that he is also incapable of conquering his own arrogance. Throughout the movie, Whale Rider, Pai persistently strives to show her grandfather her strength and even goes as far as trying to join the school Koro establishes because she wants to learn the proper way to be the leader of the Maori culture. Koro continuously neglects Pai and denotes her every move because he believes that only a male can be the leader, he cannot put his pride parenthesis to let a newly leader emerge. Koro teaches the boys at his school to use a taiaha which is generally something only boys do, nonetheless Pai secretly follows Koros lessons and learns from her taiaha fetching champion uncle how to use the taiaha and ends up beating Hemi, one of Koros male students. Koro is furious when he finds out, which only leads to a worse relationship among Koro and Pai, which is not the result Pai was looking for.This shows how his hubris is interfering with an obvious calling for a new leader. When Koro believes that he has failed at finding a new le ader, he refuses to let Pai be the leader because he has pushed her away so much. When the whales strand themselves, Pai rides the whales back into the water and saves them. By doing this, Koro realizes and is now aware that Pai, who was the one mortal he did not allow to try and achieve hispower, was the one person destined to be the leader. His pride keeps him from selecting the leader the Maori culture needs, but Koro learns his mistakes at the end of the story, whereas Creon does not get a second chance to make up himself. Creon and Koro have very comparable views on higher powers and neither of the men listens to higher powers nearly as much as they should. Creon disregards the gods intimations passim the play up until his own life is at risk. When Antigone takes matters into her own hands and buries Polyneices, Creons opinion is that the gods agree with him about not burying Polyneices and whoever disobeys him should be punished.When the Choragos questions him if the gods may be responsible for the burial of Polyneices, he responds, The gods Intolerable (703). Creon is enraged that somebody has the nerve to inquire that the gods may be against him. Creon intentions are not to delight the gods, but have people believe that the gods are on his side, whence allowing Creon control over his people. Koro is very similar to Creon as he does not ask for help from his ancestors until he is in trouble. Koros search throughout the movie is to find a new leader for the Maori culture, however he only uses the ancestors for help when the whales beach themselves and does not ask the gods earlier on because he wants to be the one to handpick his own leader. Koro only eventually called out for the gods after he has been unsuccessful at finding a new leader.Ironically, at Koros school, he talkes to the boys to put their trust in their ancestors however he does not trust in the gods as much as he stresses to the boys because he does not ask for the gods power when he fails at finding a new leader and predictably spends days affliction in his own wrong doings. Both Creon and Koro lack much reliance in their higher powers and are hypocritical in the way that they preach to others to believe in their higher powers, but do not do so themselves. Both Creon and Koro exemplify sexist attitudes throughout the Greek catastrophe and film, along with their lack of humbleness and their personality that reflects on them thinking they have a higher rank than everyone. The tragic heroes in Antigone and Whale Rider, Creon and Koro, are very similar. Their closeness shows that the tragic hero has not changed in the ancient three thousand years. The stories both have women trying to persevere in a world where they have less rights, and strong leaders trying to suppress them.
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